跨越海峡的书画情港澳台书画作品大展，对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台，促进彼此之间的学习与借鉴，还能够增进三地之间的文化认同和友谊。同时，通过线上展览的举办，也能够让更多的人了解和欣赏到港澳台地区的书画艺术，推动中华文化的传承与发扬。 王瑞星，字文沫，1960年10月生人，本科学历，自幼喜欢书画。国家一级美术师，客座教授，中国美术家协会会员，文化和旅游部人才艺术中心画家，文化和旅游部主管的中艺联合美院理事，中国书画院理事。 中国画讲究性灵的表现力，不求为佳反为最佳。王瑞星先生画画，不造作不刻意，遂心应手，可以把花鸟诸类画得形神兼备，尤贵于神。因为作画的念想出于心成于笔，无论画一池荷花听风雨，还是画万竿青竹听民声，都是惟妙惟肖的境界，绝无俗气，件件都是从容大雅的表现力。能把画儿画得如此有魅力，这与他画性超人有关系，也与他精研画道有联系。他自幼喜欢琢磨丹青，与画笔结缘，可以为万类张目传神，一但有创作对象介入笔墨，就有忘我恣意的表达镜像，可以通过笔墨的洒脱铺陈，与色彩的痛快渲染，画荷香绕曲岸，圆影覆华池!驻足仰观他的大墨荷花，越看越有滋味，越品越觉真谛。好的画儿，就是这种触动人心的动能! 心无杂念，方可以画得纤尘不染。王瑞星先生画成的兰花，有以书入画的明显书写性质，把书法的提按顿挫转化成兰花叶的生态塑造动感，一笔长，二笔短，三笔破凤眼!把丰富的写生经验，通过书画同源的塑造，表现成纸面上的兰生幽谷，移迁东轩。不仅有君子了风度，也有仕人的风骨。文人画兰，兼居精气神!红梅喜鹊写幸福，富贵牡丹作美好，吉笔祥墨，万世和谐。松柏青鹤颈长，松鹤延年图跳出旧有的范式窠臼，画出了与天地精神往来的哲学内涵，这就让王瑞星先生的兰花作品有着孤标尘外的独特性。他自有一片艺术天空，当然可以画得与众不同。 Wang Ruixing, styled Wenmo, was born in October 1960 with a bachelor's degree. He has been fond of calligraphy and painting since childhood. National first-class artist, visiting professor, member of the China Artists Association, painter of the Talent Art Center of the Ministry of Culture and Tourism, director of the China Art United Academy under the supervision of the Ministry of Culture and Tourism, and director of the China Academy of Calligraphy and Painting. Chinese painting emphasizes the expressive power of character and spirit, and does not seek excellence, but rather the best. Mr. Wang Ruixing draws without artificiality or deliberate intention. He is adept at drawing flowers and birds in a way that combines form and spirit, and is particularly precious compared to spirit. Because the idea of painting comes from the heart and is formed by the pen, whether painting a pond of lotus to listen to the wind and rain, or painting thousands of green bamboo to listen to the voices of the people, it is a lifelike realm, without any vulgarity, and each piece is a calm and elegant expression. Being able to paint with such charm is related to his exceptional drawing skills and his meticulous study of painting techniques. He has loved to polish his paintings since childhood and has been associated with paintbrushes. He can create vivid images for all kinds of people. Once a creative object intervenes in his brushstrokes, there is a mirror image of selfless and unrestrained expression. Through the free and unrestrained display of brushstrokes and the joyful rendering of colors, he can paint lotus fragrance around the winding shore and round shadows covering the pond! Stop and look up at his large ink lotus, the more you look at it, the more delicious it becomes, and the more you taste it, the more you realize the true meaning. A good painting is the driving force that touches people's hearts! Only with a mind free from distractions can one paint a painting that is spotless. The orchids painted by Mr. Wang Ruixing have a clear writing property of using calligraphy to create paintings. They transform the ups and downs of calligraphy into the ecological shaping of orchid leaves, creating a dynamic atmosphere. One stroke is long, two strokes are short, and three strokes break the phoenix eye! By shaping the rich experience of sketching through the same origin of calligraphy and painting, it is portrayed as a secluded valley of orchids on paper, and relocated to Dongxuan. Not only does it have the demeanor of a gentleman, but it also has the character of an official. Literati painting orchids, embodying both essence and spirit! Red plums and magpies write about happiness, rich and noble peonies create beauty, auspicious brushstrokes and auspicious ink, and harmony for all ages. The pine, cypress, and green cranes have long necks, and the pine and crane longevity painting breaks away from the old paradigm and depicts the philosophical connotation of communication with the spirit of heaven and earth. This gives Mr. Wang Ruixing's orchid works a unique and solitary character. He has his own artistic sky, and of course, he can paint it differently.
