
跨越海峡的书画情港澳台书画作品大展,对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台,促进彼此之间的学习与借鉴,还能够增进三地之间的文化认同和友谊。同时,通过线上展览的举办,也能够让更多的人了解和欣赏到港澳台地区的书画艺术,推动中华文化的传承与发扬。 李伍久,白族,1938年9月5日生,云南剑川梅园人。中共党员,中学高级教师。一生支边怒江从事教育、教研工作,先后荣获云南省“先进教育工作者”“先进教研究工作者”荣誉称号。从小喜文乐艺,有新诗、詩词、散文、童话、歌曲、歌舞、书画、教研论文、家教文论、詩书论文等多种作品问世,并多有获奖与出版。为中国少数民族作家学会会员,云南省作协、书协会员,文化部ISC2000认证艺术家,中国詩词学会名誉主席,中国文联颁发了“国家级书法家”证书,先后荣获“詩词名家”“国家一级艺术大师”“国礼特供艺术家”“共和国人民艺术家”“中国泰斗级文艺家”“国家宝藏级文艺家”“人民艺术家最高成就奖”“联合国和平艺术家”“联合国和平书画院终身院士”“联合国教科文组织艺术顾问”“全国高层次文艺大师”“国家优秀文艺人才”等荣誉称号,被录入全国高层次艺术人才库,成了“国家战略储备人才”。作品被邀请入编了《中国书法全集》《新中国书法家选集》《中国国魂艺术大家》《十全十美艺术家》《中国书画艺术金奖作者风采》《当代国艺圣手》《非物质文化遗产·国礼特供艺术家》《百年经典·中国书法全集》《中国书法篆书大典·篆书宗师八大家》《中国美术史》《新中国十位最伟大艺术家》等典籍。被中国书法家协会孙晓云主席评论为“他是继王羲之、颜真卿之后在中国书法史上最具影响深远的大师,堪称艺坛巨匠,千古一人”。有书法作品三次随习主席的重要图文入编贺岁台历,传遍海内外,不胜荣幸。 爱国护疆138x70cm 2015年 关于李伍久书法的名家评语四则 中国长城论坛组委会刘宇先生的评语摘录: 李伍久讲:“书法必须与文学联姻,才能产生内容与形式俱美,使人乐于欣赏的书法艺术。真正的书法家,也应该是思想家、文学家。只会照葫芦画瓢地写字的人,只能称写字匠,而不是书法家。” 佛经有句话讲:“人生的行囊里面,真正装着属于你自己的东西,那是你对人生的体悟;假如你没有,最后会发现自己就是一个空空的臭皮囊。”李伍久将他运用到书作中,把每个字看作一个生命单位,有神、气、骨、肉、血,五者缺一不可。细观之,其以情入笔,不计工拙,无拘无束,时有纵情豪放,一泻千里;时有老辣遒劲,杂以流丽;时有镌若石刻,妙如天造;时有意气淋漓,浑然天成。古人云:“清风出袖,明月入怀”,真正达到了一种随心所欲而不逾矩的境界。真可谓:端庄大方重有骨,一张一弛皆有度。道法自然万归一,精益求精不流俗。 (2019.2.) 创造人类福祉150x45cm 2020年 CCTV中视网·文化频道评语摘录: 李伍久把草书、楷书、汉碑、汉隶、行草等字体集中变形,融汇于一体;同时结合大草的笔法使得作品连绵不断。其笔触,毫不拘泥概念化的规范,而是随手生发,或中或侧,或方或圆,或藏或露,或敛或纵,触处成形;其结体,则善于随形布势,或铺张排比,或敛聚收放,甚至依倚穿插,应心隐手。在具象与抽象中,展现出中国书画同源的艺术精髓;在山形云影,风帆飘动中,诠释着中国文字博大精深的象形表现力。这样的结合使文字变得有金石铁声,飘逸洒脱,大气磅礴,自然合道,宛若天成。而这种独特的书写风格,则促成并终而奠定了他在书坛坚不可摧的独立地位。 (2020·12·22·) 从业谋事当思济世138x70cm 2020年 人民日报社人民美术网新闻媒体中心评语摘录: 李伍久先生的书法极有性灵品格,以法度为规范,以自由为气韵,把书法醉意于线条美感的翰墨根本揣摩得相当透彻。书法之难,最难在于执笔写出线性的生命感,突破此难,皆为贤圣。李伍久先生执笔写书法,也是通过笔法行运的节奏感来体现线条的生命感,顿挫锤鼓,绞转龙凤,非常单纯的线条,在心绪的引导下,能依照天地万物的存在节奏,焕发成倾意而歌的生命动感,所以他的书法线性活泼,动逸有品,没有一点儿匠气,加上墨生明辉,章法合韵,伸缩自如,大小得体,成为笔、墨、体、章的四重交响曲,写成了动人心扉的天歌妙韵。书法写到这层境界,最有精气神,最有风度感,正是立高瞻远,大家从容的造诣收获! (2021·7·26·) 月借日辉能自亮138x70cm 2019年 中书协孙晓云主席的评语: 李伍久大师书法作品法度严谨,神采焕发,用笔圆润丰满,方圆兼施,无迟滞之感,结体俊美灵秀,均匀优雅,可见大师在技法上已到达了炉火纯青的地步。他以外若天仙,飘逸洒脱,内似硬汉,钢筋铁骨,一笔一划写出恒久的人格魅力。李大师是个承上启下的一个重要的桥梁式人物。他是继王羲之、颜真卿之后在中国书法史上最具影响深远的大师,堪称艺坛巨匠,千古一人。 (2022·3·21·) D ·卜算子 · 航行138x70cm 2022年 Li Wujiu, of the Bai ethnic group, was born on September 5, 1938 in Meiyuan, Jianchuan, Yunnan. Communist Party member and senior high school teacher. Throughout his life, he worked in education and research on the Nujiang River, and was awarded the honorary titles of "Advanced Education Worker" and "Advanced Education Research Worker" in Yunnan Province. I have been fond of literature and music since I was young, and have produced various works such as new poetry, poetry, prose, fairy tales, songs, songs and dances, calligraphy and painting, teaching and research papers, family education literary theories, poetry and book papers, etc. Many of them have won awards and been published. He is a member of the Chinese Minority Writers Association, Yunnan Writers Association and Calligraphers Association, an ISC2000 certified artist by the Ministry of Culture, Honorary Chairman of the Chinese Poetry Society, and awarded the "National Calligrapher" certificate by the China Federation of Literary and Art Circles. He has been awarded honors such as "Poet Master", "National First Class Art Master", "National Gift Special Artist", "Artist of the People's Republic", "Chinese Grand Master Literature and Art", "National Treasure Literature and Art Master", "People's Artist Supreme Achievement Award", "United Nations Peace Artist", "Lifetime Academician of the United Nations Peace Painting and Calligraphy Academy", "Art Advisor of the United Nations Educational, Scientific and Cultural Organization", "National High level Literary and Art Master", and "National Excellent Literary and Art Talent". He has been included in the National Becoming a national strategic reserve talent. The work has been invited to be included in classic works such as "Complete Collection of Chinese Calligraphy", "Selected Works of New Chinese Calligraphers", "Masters of Chinese National Soul Art", "Perfect Artists", "Artistic Style of Chinese Calligraphy and Painting Gold Award", "Contemporary Chinese Art Master", "Intangible Cultural Heritage - Special Artists of National Rites", "Centennial Classic - Complete Collection of Chinese Calligraphy", "Chinese Calligraphy and Seal Calligraphy Grand Ceremony - Eight Masters of Seal Calligraphy", "History of Chinese Art", and "Ten Greatest Artists of New China". Commented by Chairman Sun Xiaoyun of the Chinese Calligraphers Association, he is the most influential master in the history of Chinese calligraphy after Wang Xizhi and Yan Zhenqing, and can be regarded as a giant in the art world, a person for eternity. D · 敢于斗争 · 知难而进150x70cm 2022年 Four Famous Commentaries on Li Wujiu's Calligraphy Excerpt from the comments of Mr. Liu Yu, the organizing committee of the China Great Wall Forum: Li Wujiu said, "Calligraphy must be combined with literature in order to produce a calligraphy art that is both beautiful in content and form, and enjoyable for people to appreciate. A true calligrapher should also be a thinker and writer. A person who can only write like a gourd can only be called a calligrapher, not a calligrapher." There is a saying in the Buddhist scriptures: "In the sachet of life, there is truly something that belongs to you, and that is your understanding of life. If you do not have it, you will eventually find yourself an empty and stinky sachet." Li Wujiu applied it to his writings, treating each word as a unit of life, including God, Qi, Bone, Meat, and Blood, all of which are indispensable. Upon closer inspection, it is written with emotions, disregarding clumsiness and being unrestrained, sometimes indulging in unrestrained and unrestrained emotions, pouring down thousands of miles; Sometimes spicy and vigorous, mixed with beauty; Sometimes it is engraved like stone carvings, as exquisite as heavenly creations; At times, there is a strong sense of vitality, and everything is natural. As the ancients said, "The clear breeze comes out of the sleeve, and the bright moon falls into the arms," truly achieving a state of being free to one's will without exceeding the limit. It can be said that it is dignified, generous, and bony, with a balance in every movement and relaxation. The Tao and Dharma are naturally unified, striving for excellence without being vulgar. (September 2, 2019) D · 和字为礼138x69cm 2022年 Excerpt of comments from CCTV Culture Channel: Li Wujiu concentrated and transformed fonts such as cursive script, regular script, Han stele, Hanli script, and cursive script into one; At the same time, combining the brushwork of Da Cao to make the work continuous. Its brushstrokes are not confined to conceptual norms, but rather are casually generated, either in the middle or on the side, square or round, hidden or exposed, or restrained or vertical, with the touch forming; Its structure is good at following the shape and layout, or spreading and comparing, or gathering and releasing, and even relying on and interweaving, should be hidden in the heart and hands. Showcasing the artistic essence of Chinese calligraphy and painting in both concrete and abstract forms; In the shadows of the mountains and the fluttering sails, it interprets the profound pictographic expression of Chinese characters. This combination makes the text sound like gold, stone, and iron, elegant and free spirited, majestic and natural, as if it were created by heaven. And this unique writing style contributed to and ultimately established his indestructible independent position in the literary world. (December 22, 2020) D · 减字木兰花 . 奋进路上138x69cm 2022年 Excerpt of comments from the People's Daily News Media Center of the People's Art Network: Mr. Li Wujiu's calligraphy has a very spiritual character, with the Dharma as the standard and freedom as the charm, deeply grasping the calligraphy that is intoxicated by the beauty of lines. The difficulty of calligraphy lies in writing a linear sense of life. To overcome this difficulty, all are wise sages. Mr. Li Wujiu, when writing calligraphy, also reflects the vitality of the lines through the rhythm of his brushstrokes and movements. The rhythm of the strokes, the beating of drums and the twisting of dragons and phoenixes, are very simple lines. Under the guidance of his emotions, they can radiate a lively and lively life rhythm according to the existence rhythm of heaven and earth. Therefore, his calligraphy is linear, lively, elegant, and tasteless, without any craftsmanship. Coupled with the brilliance of ink, the rhyme of the rules, the flexibility of expansion and contraction, and the appropriate size, it has become a four fold symphony of pen, ink, body, and chapter, and has written a touching and wonderful melody of the heavenly song. Calligraphy reaches this level of realm, with the most essence, spirit, and demeanor. It is precisely the achievement of standing tall and looking far, and everyone's calm accomplishment! (July 26, 2021) D · 蓝天下 · 民心中150x70cm 2020年 Comment from Chairman Sun Xiaoyun of the Chinese Writers Association: Master Li Wujiu's calligraphy works are rigorous in technique, full of vitality, with round and full strokes, and a combination of square and round strokes, without any sense of delay. The structure is beautiful and graceful, even and elegant, indicating that the master has reached the level of perfection in technique. He is like a celestial being outside, elegant and free spirited, like a tough guy inside, with steel tendons and iron bones, writing a lasting personality charm with every stroke. Master Li is an important bridge figure that connects the past and the future. He is the most influential master in the history of Chinese calligraphy, following Wang Xizhi and Yan Zhenqing, and can be regarded as a giant in the art world, a person for eternity. (March 21, 2022) H · 复兴中华引领世界138x70cm 2020年 Y · 礼赞社会主义核心价值观134x69cm2020年 拨开云霞看世界138x70cm 2023年 大爱撑天习主席138x70cm 2023年 东方明珠香港岛138x70cm 2017年 隶 · 辉煌中国立东方138x70cm 2017年 联 · 共产党 · 新中国154x34.5cmx2 2024年
















