2024年中欧书画名家国际艺术线上交流展——张立玉


张立玉,号,墨缘主人,1964年生于山东临朐,毕业于山东工艺美术学院高级研修班。拜著名山水画家张宝珠为师,读于张志民、杨文德老师学术创作班。又受程振国、梅墨生、李爱国、王玉良、张洪源、魏百勇等名家指点,多年来笔耕不缀,坚持临摹历代名家山水,走遍祖国大山名川,师法造化,抒己之情,物我一体,不断创新。
现为国家一级美术师,中国美协山东分会会员,山东泰山国画院画家,济南泰山书画院主席团成员、临朐创作中心主任。为张志民、杨文德山水画工作室画家。作品多次获奖并被收藏。
张立玉老师的绘画始终扎根于生活,力求展现出贴近现实的自然山河,同时寄予时代精神。在深入研究传统中国画多年的基础上,张立玉老师发挥创新意识,创新技法,融入时代审美元素,在画作中兼容并蓄,描绘山河壮丽面貌。
他的艺术立场是以感情为依托,从生活和自然中撷取灵感,并通过结构、造型和笔墨表达特定时空的诗化境界,以丰富的笔墨语言表达山川的灵动和其中蕴含的生命意识,力求“造化”和“心源”在更高的艺术平台上达到新的美学统一,在广取博征、厚积薄发中见出传统渊源与脱颖而出的活力新意。

Zhang Liyu, also known as the master of Moyuan, was born in
Linqu, Shandong in 1964 and graduated from the advanced training program
of Shandong Academy of Arts and Crafts. I studied under the renowned
landscape painter Zhang Baozhu and attended the academic creation class
of teachers Zhang Zhimin and Yang Wende. Guided by renowned figures such
as Cheng Zhenguo, Mei Mosheng, Li Aiguo, Wang Yuliang, Zhang Hongyuan,
Wei Baiyong, and others, he has persisted in copying the landscapes of
famous masters throughout history, traveling through the mountains and
rivers of the motherland, learning from nature, expressing his own
emotions, integrating things with himself, and constantly innovating.
He is now a national first-class artist, a member of the
Shandong Branch of the China Artists Association, a painter of the Mount
Taishan Chinese Painting Academy, a member of the presidium of the
Mount Taishan Calligraphy and Painting Academy in Jinan, and the
director of the Linqu Creation Center. As a painter for Zhang Zhimin and
Yang Wende's Landscape Painting Studio. The work has won multiple
awards and has been collected.

Teacher Zhang Liyu's paintings have always been rooted in life,
striving to showcase natural mountains and rivers that are close to
reality, while also embodying the spirit of the times. On the basis of
years of in-depth research on traditional Chinese painting, Teacher
Zhang Liyu has exerted innovative consciousness, innovative techniques,
and integrated aesthetic elements of the times. In his paintings, he is
inclusive and portrays magnificent landscapes of mountains and rivers.
His artistic stance is based on emotions, extracting inspiration
from life and nature, and expressing the poetic realm of specific time
and space through structure, shape, and brushstrokes. He uses rich
brushstroke language to express the agility of mountains and rivers and
the life consciousness contained therein, striving to achieve a new
aesthetic unity of "creation" and "source of heart" on a higher artistic
platform. Through extensive exploration and accumulation, he can see
the vitality and new ideas of traditional origins and stand out.
















