2024年中欧书画名家国际艺术线上交流展——张钧
张钧，字誉赡，李震字佳音。1988皆毕业于济南书法艺术学校。同年入晋元
斋拜魏启后先生为师， 聆听魏老系统讲授中国书画。
在晋元斋，魏老教诲自《褚遂良大字阴符经》学习写字的手法，洗刷世俗手法；学钟繇《戎路表》同时学《铁山刻石》；学《松江本急就章》同时学宋克《书谱》；学二王遗墨同时参看汉简，体会毛笔在纸上运行的美的规律，而不是装二王的样子，更不是画出汉简的样子。因为王羲之都不肯重复自己，就更不需要别人去重复王羲之，而是通过学习王羲之的手法与美的规律来发挥自己的个性。这样就能走出一条新路。
师承魏老期间，魏老特殊的教学方法令人耳目一新。例如：学习书法的八字真言是：“安静、从容、高尚、智慧”；临帖不在写了多少遍，没有学到手法就没用；写公文的人“不逾矩”他没“欲”了，没随心所欲了、没心了、没有精神、没有灵魂了；比着隶书写真书，体会由隶变真的钟王情趣。更令人振奋的是看魏老挥毫，那是纸上芭蕾，不装、不画、不拖泥带水、不重复劳动，魏老旗帜鲜明的指出明清以来用浓墨写《九成宫》的都不成功。魏老不仅是艺术家更是思想家，遇到这样的明师是三生有幸。
2005 年，经魏老授权张钧创办了魏启后书画数字展览馆，并出版《魏启后谈艺录》，至 2015 年共出版了 10 期，受到广大书法爱好者的好评。
佳音随魏老学习临摹黄子久、倪瓒、八大山人，以气韵生动得魏老赏识。如佳音画鸳鸯魏老题款：“李震小姐写墨鸳鸯，手法轻盈虚灵之极，展对之际如临轻歌漫舞、和风袭人，欣赏之余漫题数语以志钦佩。”
2013 年第十届中国艺术节期间，举办了“凤皇于飞”书画展，其作品分别被山东省博物馆、收藏山东大厦美术馆。2014 年张钧作品随山东省省长出访台湾及东盟诸国。2015 年参加北京首届国际文化产业投资洽谈会，荣获“优秀书画精品奖”。出版第十期《魏启后谈艺录》。7 月 29 日入选中央电视台主办的“世界艺术之旅-2015 意大利米兰世博会书画艺术展”。11 月荣获由孔子基金会举办的“2015 中国孔子国际书画艺术展”一等奖。2016 年荣获济南市“十佳艺术品经营单位”。
Mr. Zhang Jun(courtesy name: Yushan) and Ms. Li Zhen (courtesy name: Jiayin)
were both graduated from Jinan Calligraphy College in 1988. They formally
acknowledged Mr. Wei Qihou who is famous among the artists in Shandong
province as their tutor studying calligraphy and painting from him at Jinyuanzhai
after their graduation.
At Jinyuanzhai, they were first taught Chinese calligraphy skills from Mr. Chu
Suiliang's Dazi Yinfu Jing by Mr. Wei to get rid of vulgar calligraphy style ; they
were taught Mr. Zhong Yao's Ronglu Biao and Tieshankeshi simultaneously, and
then Songjiangbenjijiuzhang and Mr. Song Ke's Shupu at the same time; they were
taught to write Mr. Wang Xizhi and Mr. Wang Xianzhi's(two great calligraphers
in ancient China) calligraphy refering to Hanjian to feel the beauty laws of writing
brush walking on the paper, but not to copy them. We have no reason to copy Mr.
Wang Xizhi's writing because Mr. Wang Xizhi will never ever repeat himself. The
purpose of leaming Mr. Wang Xizhi's calligraphy skills and beauty laws is to
show our own individualities.,which will lead to a new path.
During the learning period from Mr. Wei, his teaching methods made everything
new and fresh to us. Here are the examples of his special teaching methods: four- word epigram for leaming calligraphy is quiet, calm, noble, and wise; getting skill
matters quantity; follow your heart and intuition when writing; write Zhenshu(one
of calligraphic fonts)while referring to Lishu(one of calligraphic fonts) to feel the
transformation from Lishu to Zhenshu. More exciting thing was seeing Mr. Wei's
doing calligraphy that was like seeing pure and perfect ballet without any
affectation. Mr. Wei explicitly pointed out that Jiuchenggong written in dark ink
had not been successful since Ming and Qing Dynasties . Mr. Wei is not only anartist but also an ideologist. We considered ourselves most fortunate to have such
a great tutor like Mr. Wei.
In 2005, authorized by Mr. Wei Qihou,Yushan set up online museum of his
calligraphy and painting and published Mr. Wei Qihou on Art which has been
published ten times until 2015, which were well received by calligraphy's lovers
Ms. Jiayin's painting got Mr. Wei's high appreciation during the period of study at
Jinyuanzhai. Mr. Wei once said:" her Chinese lovebirds in ink is light and
ethereal, their flying sight like beautiful ladies singing merrily and dancing
gracefully."
In 2013, during the Tenth Chinese Art Festival, Yushan and Jiayin held an
exhibition named "Flying Wing to Wing of Two Artists" whose paintings and
calligraphies were respectively collected by Shandong Museum and Shandong
Gallery. In 2014, Zhang Jun's calligraphies were taken along when Governor of
Shandong Province visited Taiwan and ASEAN.
