跨越海峡的书画情港澳台书画作品大展，对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台，促进彼此之间的学习与借鉴，还能够增进三地之间的文化认同和友谊。同时，通过线上展览的举办，也能够让更多的人了解和欣赏到港澳台地区的书画艺术，推动中华文化的传承与发扬。

　　王利民，男，汉族，1956年生于黑龙江省双鸭山市双兴村。自号：觉缘居士，别号：益寿山人。

　　1974年跟随著名书画家李宝森先生学习绘画。

　　1985年参加首届中国书画函授大学学习国画、书法。

　　1988年参加高卉民老师国画创作高研班学习。

　　2000年开始独辟蹊径，探索表现北国特色《冰凌雪韵》;塞北隆冬、冰清玉洁、霜花雪月、净化心灵。林海雪原、山边野趣、飞禽走兽、繁衍生息。雾凇树挂、农家小院、吉祥雪乡，宛如仙境。漫天白雪覆盖大地，幻化红尘腐朽变净土。创国画美学之白色体系，守一方净土安身立命。“夫画者，成教化，助人伦”《历代名画记》。

　　九十年代开始研读元音老人、南怀瑾先生、冯学成先生、佛道儒经典著作及书画理论，读书穷理、持志居敬，(打坐)打掉妄想、坐见本性，性命双修、融汇贯通。常与儒释道网友论道，偶于书画好友小酌，网络博览古今名家书画，藏千人万幅精品于心海。品读名家创作心理与审美意识之灵性而有所悟。

　　韩愈《师说》;闻道有先后，术业有专攻。故而学众家之所长，补我学之所短。解读古今圣贤，启发后天灵性。参“一画”之发微(石涛画语录)，悟“不二”之妙旨(维摩诘经)。静观塞北之“冰凌雪韵”，实乃无形可循、无法可得，唯以心性观之方可。经云无相即实相，无法是为至法。白色美学空灵之境，暗合无形大道，可悟非可学。凝神观想、澄怀味象、发心性之觉知，寄物抒情。子曰：志于道,据于德,依于仁,游于艺(论语)。

　　2023年入编《中国近现代美术通史》《中国美术精品集》《CCTV中国新时代艺坛楷模》《艺坛百杰艺术家》《CCTV华夏之声特邀艺术家》《国家宝藏书画辞典》，《中国艺术传承大师》。

　　2024年入编人民日报出版社《江山如此多娇》画集、民族出版社《光辉征程 当代书画名家作品选》画集、天津人美《美术中国》画集。

　　国家一级美术师，北京东方翰林书画院名誉副院长，双鸭山市书画院研究员，曾任双鸭山市美术家协会副主席。

　　退休前就职于黑龙江能源职业学院。大学本科学历、会计师、政工师、美术师。2016年10月正式退休。

　　Wang Limin, male, Han ethnicity, born in 1956 in Shuangxing Village, Shuangyashan City, Heilongjiang Province. Self name: Jueyuan Jushi, alternate name: Yishoushan Ren.

　　In 1974, he studied painting under the renowned calligrapher and painter Mr. Li Baosen.

　　In 1985, he participated in the first correspondence university of Chinese painting and calligraphy to study traditional Chinese painting and calligraphy.

　　In 1988, I participated in the Chinese painting creation advanced research class taught by Professor Gao Huimin.

　　Starting from 2000, he took a unique approach and explored the expression of Northern Chinese characteristics in "Bingling Xueyun"; Northern winter, pure ice and jade, frost flowers and snow moon, purifying the soul. Forest, sea, snow, mountains, wild scenery, birds and animals, thriving and thriving. The rime tree hanging, the farmhouse courtyard, and the auspicious snow village are like a fairyland. The sky is covered with white snow, transforming the mortal world into a pure land. Create a white system in the aesthetics of traditional Chinese painting, and safeguard a pure land to settle down in. The husband painter becomes a teacher and helps people's relationships "from" Records of Famous Paintings of All Dynasties ".

　　In the 1990s, he began to study the works of Vowel Old Man, Mr. Nan Huaijin, Mr. Feng Xuecheng, Buddhist, Taoist, and Confucian classics, as well as calligraphy and painting theories. He studied with a focus on reason, held his aspirations in reverence, (meditated) dispelled delusions, sat down to see his true nature, and practiced dual cultivation of life and soul, integrating them seamlessly. I often discuss Taoism with Confucian, Buddhist, and Taoist netizens, and occasionally have a drink with my friends in calligraphy and painting. I have a wide range of famous calligraphy and painting works from ancient and modern times on the internet, and have collected thousands of exquisite works from thousands of people in my heart. I have gained insight into the spirituality of the creative psychology and aesthetic consciousness of renowned artists.

　　Han Yu's "Teacher's Discourse"; There is a hierarchy in the way of hearing, and a specialization in one's profession. Therefore, learning from the strengths of other schools can make up for my weaknesses. Interpreting ancient and modern sages, inspiring the spiritual nature of the future. Refer to the origin of "One Painting" (Shi Tao's painting quotes) and understand the essence of "non duality" (Vimalakirti Sutra). Observing the 'Ice and Snow Charm' of the northern frontier is intangible and unattainable, and can only be achieved through the observation of one's heart and nature. The fact that there is no reality in the clouds cannot be regarded as the ultimate law. The ethereal realm of white aesthetics, hidden in the invisible path, can be understood but not learned. Concentrate and contemplate, clarify the taste and imagery, develop a sense of inner nature, and express emotions through objects. Confucius said: To aspire to the Tao, to base oneself on virtue, to rely on benevolence, and to wander in art (Analects).

　　In 2023, it will be included in the compilation of "General History of Modern and Contemporary Chinese Art", "Collection of Chinese Fine Arts", "CCTV Model of Chinese Art in the New Era", "Top 100 Artists in the Art World", "CCTV Huaxia Voice Invited Artists", "National Treasure Calligraphy and Painting Dictionary", and "Master of Chinese Art Inheritance".

　　In 2024, it will be included in the People's Daily Publishing House's "Jiangshan is So Beautiful" art collection, the Ethnic Publishing House's "Selected Works of Contemporary Calligraphers and Painters on the Glorious Journey" art collection, and Tianjin Renmei's "Art China" art collection.

　　National first-class artist, honorary vice president of Beijing Oriental Hanlin Calligraphy and Painting Academy, researcher at Shuangyashan Calligraphy and Painting Academy, and former vice chairman of Shuangyashan Artists Association.

　　I worked at Heilongjiang Energy Vocational College before retirement. Bachelor's degree, accountant, political engineer, artist. I officially retired in October 2016.

　　冰凌雪韵绘北国，书画禅心融古今

　　王利民先生，一位生于黑土地、长于林海雪原的艺术家，以笔为舟，墨为海，在书画的世界里遨游，探索并创造了独具特色的“冰凌雪韵”艺术风格。他是艺术追求与人生哲理深度融合的典范，更是对传统文化与现代审美不懈探索的生动写照。

　　早年求学，师承名门

　　1956年，王利民先生诞生于黑龙江省双鸭山市双兴村，这片充满自然野趣与北国风光的土地，成为了他艺术灵感的源泉。自幼对书画抱有浓厚兴趣的他，于1974年有幸跟随著名书画家李宝森先生学习，从此踏上了艺术之路。随后，他通过中国书画函授大学的学习，进一步夯实了国画与书法的基础，并在高卉民老师的国画创作高研班中深造，技艺日益精进。

　　独辟蹊径，创新“冰凌雪韵”

　　进入新世纪，王利民开始尝试突破传统，将目光投向了北国独有的冰雪世界。他笔下的《冰凌雪韵》，不仅是对自然景观的再现，更是心灵净化的象征。林海雪原的壮丽、农家小院的温馨、雾凇树挂的奇幻……在他的笔下，这些元素被赋予了新的生命，展现出一种超凡脱俗的美。他创造性地建立了国画美学中的“白色体系”，以独特的视角和技法，将冰雪的纯净与空灵表现得淋漓尽致，让人仿佛置身于一个净化心灵的仙境。

　　禅心书画，融汇儒释道

　　除了对艺术的执着追求，王利民还深入研读佛道儒经典著作及书画理论，将禅意融入书画之中。他通过静坐冥想，打掉妄想，坐见本性，实现了性命双修、融汇贯通的境界。这种修行不仅让他的书画作品充满了灵性与韵味，也让他在艺术道路上越走越远，成为了一位集诗书画印于一体的全能艺术家。

　　荣誉加身，传承文化

　　王利民的艺术成就得到了广泛的认可与赞誉。他先后被编入多部权威艺术典籍，如《中国近现代美术通史》《中国美术精品集》等，并荣获多项荣誉称号。他的作品不仅在国内展出并受到好评，还远播海外，成为连接中外文化交流的桥梁。作为国家一级美术师、北京东方翰林书画院名誉副院长等职务的担任者，他始终致力于传统文化的传承与发扬，为培养新一代艺术家贡献着自己的力量。

　　结语

　　王利民的艺术造诣，是对“夫画者，成教化，助人伦”这一理念的生动诠释。他以笔墨为媒介，以冰雪为题材，创作出了一幅幅净化心灵、启迪智慧的艺术作品。在未来的日子里，相信他会继续秉持初心，不断探索与创新，为中华文化的传承与发展贡献更多的力量。

　　Bingling Xueyun depicts the northern kingdom, while calligraphy and painting blend the Zen spirit of ancient and modern times

　　Mr. Wang Limin, an artist born in black soil and raised in forests, seas, and snowy plains, uses pen as a boat and ink as a sea to explore and create a unique artistic style of "Ice and Snow Charm" in the world of calligraphy and painting. He is a model of the deep integration of artistic pursuit and life philosophy, and a vivid portrayal of the relentless exploration of traditional culture and modern aesthetics.

　　In his early years, he studied under a prestigious family

　　In 1956, Mr. Wang Limin was born in Shuangxing Village, Shuangyashan City, Heilongjiang Province. This land, full of natural wilderness and northern scenery, became the source of his artistic inspiration. He, who had a strong interest in calligraphy and painting since childhood, was fortunate enough to study under the famous calligrapher and painter Mr. Li Baosen in 1974, and thus embarked on the path of art. Subsequently, he further solidified his foundation in traditional Chinese painting and calligraphy through studying at the Correspondence University of Chinese Painting and Calligraphy. He also pursued further studies in the Chinese painting creation advanced research class taught by Professor Gao Huimin, and his skills became increasingly refined.

　　Taking a unique approach and innovating the 'Ice and Snow Charm'

　　In the new century, Wang Limin began to try to break through tradition and turned his attention to the unique ice and snow world of the North. His work 'Ice and Snow Charm' is not only a representation of natural landscapes, but also a symbol of spiritual purification. The magnificence of the forest and snowy plains, the warmth of rural courtyards, and the fantasy of rime trees hanging... In his writing, these elements are given new life and display an extraordinary beauty. He creatively established the "white system" in the aesthetics of traditional Chinese painting, using unique perspectives and techniques to vividly depict the purity and ethereal nature of ice and snow, making people feel as if they are in a fairyland that purifies the soul.

　　Zen inspired calligraphy and painting, blending Confucianism, Buddhism, and Taoism

　　In addition to his persistent pursuit of art, Wang Limin also delved deeply into the classic works of Buddhism, Taoism, and Confucianism, as well as painting and calligraphy theories, integrating Zen into painting and calligraphy. He achieved the state of dual cultivation and integration of life and soul through meditation, dispelling delusions and observing his true nature. This kind of practice not only filled his calligraphy and painting works with spirituality and charm, but also allowed him to go further and further on the path of art, becoming an all-around artist who integrates poetry, calligraphy, painting, and printing.

　　Honoring oneself and inheriting culture

　　Wang Limin's artistic achievements have been widely recognized and praised. He has been included in multiple authoritative art classics, such as "General History of Modern and Contemporary Chinese Art" and "Collection of Chinese Fine Arts", and has been awarded multiple honorary titles. His works have not only been exhibited and praised domestically, but also spread overseas, becoming a bridge connecting Chinese and foreign cultural exchanges. As a national first-class artist and honorary vice president of Beijing Oriental Hanlin Calligraphy and Painting Academy, he has always been committed to the inheritance and promotion of traditional culture, contributing his own strength to the cultivation of a new generation of artists.

　　epilogue

　　Wang Limin's artistic achievements are a vivid interpretation of the concept of "painting, educating, and helping people's relationships". He used pen and ink as a medium and ice and snow as a theme to create art works that purify the soul and inspire wisdom. In the future, I believe he will continue to uphold his original intention, constantly explore and innovate, and contribute more to the inheritance and development of Chinese culture.