
跨越海峡的书画情港澳台书画作品大展,对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台,促进彼此之间的学习与借鉴,还能够增进三地之间的文化认同和友谊。同时,通过线上展览的举办,也能够让更多的人了解和欣赏到港澳台地区的书画艺术,推动中华文化的传承与发扬。 段振华,艺名郭华,牡丹百诗富翁,二里头人,纸贵乡人。51年生于洛阳偃师。8岁开始习字,12岁广为村民写春联。 现为书画中国高级顾问,国家一级美术师,国礼书画家。有国家级代表性艺术家荣誉,有享誉全球的中国艺术家称号。曾获东西方文化交流杰出贡献奖。入编《新中国美术家大典》,出版《大匠之门》巨型诗书画集,《牡丹赋》发表多次。誉为当代文圣的巴湘赞曰,“古有范仲淹的岳阳楼,今有郭华牡丹赋”。 有诗书画三绝之誉。追秦汉,宗唐宋,又中西融合,通过六十多年的苦索敏求形成了自已独特的艺术格局。从工笔,小写意,大写意到泼墨泼彩,格调高致。作品具有三大三象(大视野,大思络,大手笔,形象,意象,抽象)。 研究牡丹文化数十年,赋牡丹题画诗数百首,精选15o多首题于《丹风盛世》,向党的一百周年献礼。 《丹风盛世》(1点3米x1oo米),从原古文明,河图洛书,龙马伏图到现代卫星上天,通过儒釋道毛教,弘扬中华民族自立自强,自强不息的民族精神。阐述富与贵的关系。富者不足论,贵必载德行。 何谓牡丹,牡者雄之魂,丹者慈之根,阴阳化一,刚柔并济。 有道是“半部论语治天下”,无可非一个贵字省贪欲。贫贱众恶富贵高,富而不贵不如贫。民心即是天道,天道即是民心。 牡丹文化博大精深,唐代李正封的国色天香,我给上升到富租贵宗的至尊层面。 艺术家首先是思想家,得有社会责任感。 其目标是:倒海探珠 倾昆取琰 追求卓越 创造经典 教化人伦 弘道扬善 为文化强国贡献力量 Duan Zhenhua, stage name Guo Hua, is a peony millionaire with a hundred poems. He is from Erlitou and is from Zhigui Township. Born in Yanshi, Luoyang in the year 51. I started practicing calligraphy at the age of 8 and wrote Spring Festival couplets for villagers at the age of 12. I am currently a senior consultant for calligraphy and painting in China, a national first-class artist, and a national etiquette calligrapher and painter. Has the honor of national representative artist and the globally renowned title of Chinese artist. Has won the Outstanding Contribution Award for Cultural Exchange between East and West. Participated in the compilation of the "New China Artists Encyclopedia", published the giant poetry, calligraphy, and painting collection "The Great Craftsman's Gate", and published "Peony Ode" multiple times. As the contemporary literary saint, Ba Xiang Zan said, "In ancient times, there was the Yueyang Tower by Fan Zhongyan, and now there is the peony poem by Guo Hua.". It is renowned for its three wonders of poetry, calligraphy, and painting. Chasing the Qin and Han dynasties, following the Tang and Song dynasties, and integrating Chinese and Western cultures, it has formed its own unique artistic pattern through more than 60 years of hard work and sensitivity. From meticulous brushwork, small freehand brushwork, large freehand brushwork to splashing ink and colors, the style is exquisite. The work has three major three elements (big vision, big thinking, big brushwork, image, imagery, and abstraction). Having studied peony culture for decades, I have composed hundreds of poems and paintings on peonies, and selected over 150000 poems to be inscribed on "The Prosperous Age of Danfeng" as a tribute to the 100th anniversary of the Communist Party of China. "Dan Feng Guang Sheng Shi" (1.3m x 1.0m), from ancient civilizations, river maps and Luoshu, dragon and horse Fu Tu to modern satellites, promotes the national spirit of self-reliance and self-improvement of the Chinese nation through Confucianism, Buddhism, Taoism, and Maoism. Elaborate on the relationship between wealth and nobility. The rich are not worth discussing, but the noble must carry virtue. What is peony? Peony is the soul of the male, while peony is the root of kindness. Yin and Yang are integrated, and hardness and softness are combined. There is a saying that "governing the world with half of the Analects" cannot be achieved without a noble character, which saves greed. Poor and lowly people despise wealth and high status, and wealth without high status is not as good as poverty. The people's hearts are the Heavenly Way, and the Heavenly Way is the people's hearts. The peony culture is vast and profound, and the national beauty and heavenly fragrance of Li Zhengfeng in the Tang Dynasty have elevated me to the supreme level of the wealthy and noble sect. Artists are first and foremost thinkers, and they must have a sense of social responsibility. Its goal is to explore the sea, the Pearl River, the Kun River, and the Yan River, pursue excellence, create classics, educate people, promote morality, and promote goodness, contributing to the development of a cultural power.













