2024年中欧书画名家国际艺术线上交流展——毛卫泽

毛卫泽，字頔东,河北行唐人，毕业省电大,进修汉语言。曾两次参加民建研究委员会艺专委、文旅部管理干院高级研修班。

法出碑贴，修炼书法。自幼习书法，近数十年来，潜心临碑贴，以讲座为师，静心听讲座，埋头读临帖，聚神写作品。自感有进步，敬请名师点，我洗耳恭听。铁线篆，线条细腻，刚柔并济，强调笔墨的书写趣味，使转自如，飞仪多姿，富有泰山碑典雅和峄山碑的圆活。隶书取法多元，既有东汉隶的雅质秀拔，也有西汉隶的拙朴浑然，左掠右挑，丰富多神。行书笔法取兰亭序、伯远帖、中秋帖等等。经过心追手临，得法乎上，所以执笔写洒脱，同自然之妙有，非力运转所能成。执笔于手，纵笔于心，心与笔合，主笔写得力透纸背，副笔写得玲珑无限，主笔副笔相映，可见虚与实相生，独特的书法空间，结构形式，自立面目，今后在传统的根基上再有创新的焕神。

现为北京墨染风华文化交流中心荣誉主席，国际龙文化交流中心副主席，中国民族建筑研究委员会书画艺术专业委员会客座教授，华夏国艺青少年教育培训中心书画导师，中国东方文化研究会会员，中国文促会会员，高级诗联创作师，雅昌艺术网艺术家会员，中国硬笔书法协会会员，香港中国书法家协会会员，中国服务贸协会国际委会员，中书协注册书法教师，中国书画创作委员会委员，水墨丹青书画院会员，中企报盟（北京）信息科学研究院院士，中国人民书画艺术研究院会员，中国文化艺术发展促进会会员，中国服务贸易协议国际交流委员会会员，北京心海文化艺术研究院院聘书画家，长沙尚韵书画院名誉院长，长沙国韵书画院理事，北京国都墨韵书画院会员，中国老年书画研究会会员,中新文化艺术促进会会员，中国书画家联谊会新文艺群体书画家工作委员会会员，中国楹联协会中宣盛世文艺术交流中心会员，水墨丹青书画院会员，醴陵手绘工艺大师，百度书画名家。

 近几年，在人民美术出版社，中国文史出版社，民族艺术，中国文化出版社等多个单位出版合辑和个人专辑。2012年起参展，曾获特等奖5个，金奖75个，一等奖32个，二等奖和银奖10个，铜牌15个。荣誉称号66个，50幅作品收藏入编，近期在北京国都墨韵书画院举办的全国诗书画印交流大赛获金奖，在中国文联网与新文艺主办的喜迎二十大讴歌新时代优秀书画作品网络展入展，并被中华文艺资源数据庫，中华数字城收录。

Mao Weize, styled Didong, was born in Xingtang, Hebei. He graduated from Provincial Radio and Television University and studied Chinese language. I have participated in two advanced training courses at the Art Specialized Committee of the Civil Construction Research Committee and the Management Cadre Institute of the Ministry of Culture and Tourism.

Learn to create steles and practice calligraphy. I have been studying calligraphy since I was young, and in the past few decades, I have devoted myself to pasting inscriptions on tablets, learning from lectures, listening attentively to lectures, burying my head in reading calligraphy, and focusing on writing works. I feel that I have made progress. Please feel free to ask for guidance from a renowned teacher. I am all ears and ears. The iron line seal script, with fine lines and a combination of hardness and softness, emphasizes the writing interest of pen and ink, makes it turn freely and fly in a variety of ways, which is rich in the elegance of Mount Taishan monument and the vitality of Yishan monument. The selection of official script is diverse, ranging from the elegant and elegant style of the Eastern Han Dynasty to the simple and straightforward style of the Western Han Dynasty, with a left sweep and right pick, rich and diverse. The strokes of the running script are taken from Lanting Preface, Boyuan Postscript, Mid Autumn Postscript, and so on. Through the pursuit of the heart and the approach of the hand, one can achieve the ultimate goal. Therefore, writing is free and unrestrained, which is in line with the wonders of nature and cannot be achieved through the operation of force. Holding the pen in the hand, holding the pen in the heart, and combining the heart with the pen, the main pen is powerful and penetrates the back of the paper, while the secondary pen is exquisite and infinite. The main and secondary pens complement each other, indicating the coexistence of virtual and real. The unique calligraphy space, structural form, and independent appearance will further innovate and rejuvenate on the basis of tradition in the future.

I am currently the Honorary Chairman of Beijing Ink Dyeing Fenghua Cultural Exchange Center, Vice Chairman of International Dragon Culture Exchange Center, Visiting Professor of Calligraphy and Painting Art Professional Committee of China National Architecture Research Committee, Calligraphy and Painting Mentor of China National Art Youth Education and Training Center, Member of China Oriental Culture Research Association, Member of China Culture Promotion Association, Senior Poetry Federation Creator, Artist Member of Yachang Art Network, Member of China Hard Pen Calligraphy Association, Member of Hong Kong Chinese Calligraphers Association, Member of International Committee of China Service Trade Association, Registered Calligraphy Teacher of China Calligraphy Association, Member of China Calligraphy and Painting Creation Committee, Member of Ink Painting and Calligraphy Academy, Academician of China Enterprise Newspaper Alliance (Beijing) Information Science Research Institute, Member of China People's Calligraphy and Painting Art Research Institute, and Member of China Cultural and Art Development Promotion. Member of the China Service Trade Agreement International Exchange Committee, Beijing Xinhai Cultural and Art Research Institute hires calligraphers and painters, Honorary Dean of Changsha Shangyun Calligraphy and Painting Institute, Director of Changsha Guoyun Calligraphy and Painting Institute, Member of Beijing Guodu Moyun Calligraphy and Painting Institute, Member of China Elderly Calligraphy and Painting Research Association, Member of China New Culture and Art Promotion Association, Member of the New Culture and Art Group Calligraphers and Painters Work Committee of China Calligraphers and Painters Association, Member of Zhongxuan Shengshi Cultural and Art Exchange Center of China Couplet Association, Member of Ink Painting and Calligraphy Institute, Master of Handdrawn Craftsmanship in Liling, and Famous Calligraphers and Painters on Baidu.

In recent years, he has published collections and personal albums in multiple institutions such as People's Fine Arts Publishing House, China Literature and History Publishing House, Ethnic Art, and China Culture Publishing House. Since 2012, I have participated in the exhibition and won 5 special awards, 75 gold awards, 32 first prizes, 10 second and silver awards, and 15 bronze medals. 66 honorary titles, 50 works collected and compiled, recently won a gold medal in the National Poetry, Calligraphy, Painting and Printing Exchange Competition held by Beijing Guodu Moyun Calligraphy and Painting Academy, and exhibited at the network exhibition of excellent calligraphy and painting works celebrating the 20th National Congress of the Communist Party of China and New Literature and Art organized by the China Internet of Literature and Art and New Literature and Art. It has also been included in the China Cultural and Art Resource Database and the China Digital City.