跨越海峡的书画情港澳台书画作品大展,对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台,促进彼此之间的学习与借鉴,还能够增进三地之间的文化认同和友谊。同时,通过线上展览的举办,也能够让更多的人了解和欣赏到港澳台地区的书画艺术,推动中华文化的传承与发扬。 唐生吉, 字吉人;别署求是子;号借古楼主、八仙村民等。是中国书法家协会会员、中央国家机关书法家协会会员、北京书法家协会会员、中国老年书画学会理事﹑中国书画家联谊会新文艺群体书画家工作委员会委员﹑中国楹联学会书法艺术研究会会员、东北师范大学文学院专业硕士实践导师等。 在三十余年的书法教育实践中,有百余名学生在市级以及全国各级各类书法大赛中获奖、入展、入选作品集等。本人也被多个组委会授予“优秀园丁奖”、“优秀辅导教师”、“优秀组织奖”等。 在四十余年的书法学习中,始终追求高品味,高质量,体现出时代的气息。在创作中始终以气势为主调,注重法与趣、静与动、虚与实的协调与统一,这是对传统的解读与重构。 名家评语:仔细品味他的书法,在汉隶中吸取丰富营养,旁及魏、晋,又涉列唐、宋、元、明、清各名家法帖,心摹手追,收获颇多人生感悟。面对他的作品,你会感到高古、厚重、拙朴而温文尔雅,一股清新古雅之气呼之欲出,流淌出一种睿智的光芒,充满了力度感、立体感,还有时代感。其作品的神、气、韵都表现得淋漓尽致。 路漫漫其修远兮,吾将上下而求索。 Tang
Shengji, also known as Jiren; Don't sign for the right son; Number
borrowed from ancient building owners, Eight Immortals villagers, etc.
He is a member of the Chinese Calligraphers Association, the Central
State Organ Calligraphers Association, the Beijing Calligraphers
Association, a director of the China Elderly Calligraphers and Painters
Association, a member of the New Art Group Calligraphers and Painters
Working Committee of the China Calligraphers and Painters Association, a
member of the Calligraphy Art Research Association of the China Couplet
Society, and a professional master's practical supervisor at the School
of Literature of Northeast Normal University. Over
the past thirty years of calligraphy education practice, more than a
hundred students have won awards, been exhibited, and selected for works
in various calligraphy competitions at the municipal and national
levels. I have also been awarded the "Excellent Gardener Award",
"Excellent Tutor Award", "Excellent Organization Award" and other awards
by multiple organizing committees. Throughout
more than 40 years of calligraphy learning, I have always pursued high
taste and quality, reflecting the atmosphere of the times. In creation,
one always takes momentum as the main tone, emphasizing the coordination
and unity of law and interest, stillness and movement, and virtuality
and reality. This is an interpretation and reconstruction of tradition. Commentary
on Famous Masters: Carefully savoring his calligraphy, absorbing rich
nutrients from the Han Li culture, and covering the Wei and Jin
dynasties, as well as the Tang, Song, Yuan, Ming, and Qing dynasties, he
imitated and followed closely, gaining a lot of life insights. Faced
with his works, you will feel ancient, heavy, simple, and gentle. A
fresh and elegant aura is about to emerge, flowing with a wise light,
full of strength, three-dimensional sense, and a sense of the times. The
spirit, energy, and rhyme of his works are vividly portrayed. The road is long and winding, and I will search up and down.