跨越海峡的书画情港澳台书画作品大展,对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台,促进彼此之间的学习与借鉴,还能够增进三地之间的文化认同和友谊。同时,通过线上展览的举办,也能够让更多的人了解和欣赏到港澳台地区的书画艺术,推动中华文化的传承与发扬。 杨运琪,1954年出生。四川南充人,军旅画家。现为中国美术家协会会员,北京美术家协会会员,国家高级美术师,成都书画研究院常务理事,2021年加入中国书画院院士,德艺双馨人民艺术家。 近年来,杨运琪把国画的笔墨韵味与西画的色彩构成相融合,他追求重墨重彩,突出色彩的视觉冲击力。这种创作理念,始终促使他在探索中国山水画的深邃意境的道路上跋涉,他努力想追求一种精神气象,历经坎坷而永不放弃。 军旅画家杨运琪先生的工作室便藏于此处。刚从西藏采风归来的他,撑着一把雨伞,提着两把伞下楼来迎接冒着萧瑟秋雨到来的一行访问者。第一次见到他,是在夏天,成都蜀昶轩的一个画展上。他个子不高,却敦实健硕。似乎不爱笑,不爱说话,一生从军的严肃与沉稳凸显在他的脸上,喜怒无痕。但这些初步印象,随着访谈的深入却发现那只是他的表象。透过表象,杨运琪的内心在很多时候其实充满着孩童般的理想主义幻想。他随和健谈,坦诚有趣。他的画室,缤纷,杂乱,创作时的燃情肆意与心性散漫随处可见。他应该是一位随心所欲投入创作的画家。客厅墙上,赫然挂着一幅巨幅山水油画。他说:"这幅油画,我目前只完成了一半。"画案上,叠放堆满了他近期完成或未完成的水墨山水画,地上还铺着两幅透着湿润水墨之气的重彩山水条幅,他解释说:这是我昨晚才画出来的。他的身上,显然藏着一种质朴的自信与乐观。画室外,有一个宽大的阳台,站在阳台上,极目远眺,眼前是一望无际的高高低低的城市楼宇,在朦胧密集的雨幕中,恰海市蜃楼般如梦如幻。我不知道,是否在某些时候,画家杨运琪先生会站在这里,或坐在阳台上,静静地向着远方,思考一些来自于灵魂深处的东西,至今,他一生以画中国山水为主要创作题材,从未停顿过前行的步伐。他在静寂与顿悟之中,找寻着艺术的方向。谈到绘画创作,杨运琪终于不再矜持沉默,顿时滔滔不绝,爽朗的笑容渐渐显现在他原本难得一笑的脸上。这个时候的他,真实而通透。 为了学到传统中国画的精髓,他先后拜师著名山水画家白雪石老先生、中国军事博物馆书法家李铎先生、军艺油画系教授何孔德先生等等,潜心向老先生们学习,希望自己对艺术的深度认知不断提升。2002年,他定居成都。西南地区这个充满浓郁艺术氛围的都市,以及周边地区的山水给予了他更多的灵感与启发。当绘画早已在岁月的磨砺里逐渐成为他的精神支撑时,即使他在人生路上遇到多少坎坷与挫折,但只要拿起画笔,进入创作,杨运琪就会感觉到来自灵魂深处的忘我。 Yang
Yunqi was born in 1954. Born in Nanchong, Sichuan, he is a military
painter. I am currently a member of the Chinese Artists Association, a
member of the Beijing Artists Association, a national senior artist, and
an executive director of the Chengdu Calligraphy and Painting Research
Institute. In 2021, I joined the Chinese Academy of Calligraphy and
Painting as an academician and am a people's artist with both moral and
artistic excellence. In
recent years, Yang Yunqi has integrated the charm of traditional
Chinese painting with the color composition of Western painting. He
pursues a heavy emphasis on ink and color, highlighting the visual
impact of colors. This creative concept has always prompted him to trek
on the road of exploring the profound artistic conception of Chinese
landscape painting. He strives to pursue a spiritual atmosphere and
never gives up after going through hardships. The
studio of military painter Mr. Yang Yunqi is hidden here. He just
returned from collecting wind in Xizang and went downstairs with an
umbrella and two umbrellas to greet a group of visitors coming in the
bleak autumn rain. The first time I saw him was in the summer at an art
exhibition in Shuchangxuan, Chengdu. He is not tall, but he is sturdy
and robust. It seems that he doesn't like to laugh or talk, and the
seriousness and composure of his life in the military are highlighted on
his face, with no trace of joy or anger. But as the interview delved
deeper, it was discovered that these initial impressions were only his
surface appearance. Through appearances, Yang Yunqi's heart is often
filled with childlike idealistic fantasies. He is easy-going and
talkative, honest and interesting. His studio is colorful and chaotic,
and the passionate and carefree nature of his creations can be seen
everywhere. He should be a painter who freely immerses himself in
creation. On the living room wall, there stands a huge landscape oil
painting. He said, "I have only completed half of this oil painting so
far." On the canvas, there were stacks of his recently completed or
unfinished ink and wash landscape paintings, and two heavy colored
landscape banners with a moist ink and wash atmosphere were spread on
the ground. He explained, "This was something I only painted last
night.". There is clearly a simple confidence and optimism hidden in
him. Outside the studio, there is a spacious balcony. Standing on the
balcony, one can gaze into the distance and see an endless range of high
and low urban buildings. In the hazy and dense rain curtain, it is like
a mirage in a dream. I don't know if at some point, Mr. Yang Yunqi, the
painter, would stand here or sit on the balcony, quietly looking
towards the distance, thinking about things from the depths of his soul.
To this day, his main creative theme is painting Chinese landscapes,
and he has never stopped moving forward. He searched for the direction
of art in silence and enlightenment. When it comes to painting creation,
Yang Yunqi finally stopped being reserved and silent, and suddenly
spoke incessantly. A cheerful smile gradually appeared on his once rare
smile. At this moment, he is real and transparent. In
order to learn the essence of traditional Chinese painting, he
successively studied under famous landscape painter Mr. Bai Xueshi,
calligrapher Mr. Li Duo from the Chinese Military Museum, and professor
of military oil painting Mr. He Kongde, among others, and devoted
himself to learning from the old gentlemen, hoping to continuously
improve his deep understanding of art. In 2002, he settled in Chengdu.
The southwestern region, a city full of rich artistic atmosphere, and
the surrounding mountains and waters have given him more inspiration and
inspiration. When painting gradually became his spiritual support
through the trials of time, even though he encountered many obstacles
and setbacks on the road of life, as long as he picked up the paintbrush
and entered into creation, Yang Yunqi would feel the selflessness from
the depths of his soul.