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三地风华——跨越海峡的书画情港澳台书画作品大展 刘毅峰作品
来源: | 作者:国宝 | 发布时间: 2024-05-16 | 276 次浏览 | 🔊 点击朗读正文 ❚❚ | 分享到:

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  跨越海峡的书画情港澳台书画作品大展,对于推动港澳台地区书画艺术的发展具有重要意义。它不仅能够为书画家们提供一个展示和交流的平台,促进彼此之间的学习与借鉴,还能够增进三地之间的文化认同和友谊。同时,通过线上展览的举办,也能够让更多的人了解和欣赏到港澳台地区的书画艺术,推动中华文化的传承与发扬。


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【艺术家简介】

  刘毅峰,字恒源,号布衣学人、半隐居士、恒源山人等,当代中国学者书画家、艺术评论家,1963年生于广州地区,自少年时代起就爱好美术和文史,1987年毕业于深圳大学工艺美术专业。后在从事工艺美术设计之余开始研习书画及艺术理论,旁及“经史子集”,并从早期偏重于西洋文化艺术方面的研究探索逐渐地转向于中华文化艺术学术方面的研究探索,尤其是对于“魏晋玄学”、“宋明理学、心学”以及传统经典画史论,特别是中国传统“文人画”理论的集大成者书画大家董其昌的“南北宗”画论学说与“石涛画论”,以及近现代的“文人画”大家吴昌硕、黄宾虹、潘天寿、傅抱石等先生的画论有着独到精深的研究和见解。 刘毅峰先生又曾得到关山月(已故),黎雄才(已故)、黄笃维(已故)、晏济元(已故)、刘济荣(已故)、王贵忱(已故)等前辈书画大家和学者的指点,于艺术创作实践及学术理论上“更上一层楼”,并以中国传统美学思想和“论从史出”的传统学术精神作为构建自己的艺术理论框架,将“艺”与“道”紧密地结合起来,逐渐形成了自己的艺术美学理论系统,并始终坚持以“古为今用、洋为中用、推陈出新”、继往开来、借古开今的指导思想贯穿于其学术理论之中,近现当代的许多著名书画大家的艺术评论文章均出自其手笔。其文每以“博古通今”之学识而又深入浅出的语言透彻地阐述其中的道理,被有读者称赞为“文章大气中不失细腻,现代中透着古风……”,并似有“笔锋中常带感情”,常对当今中国艺术文化界所存在的不良风气现象提出颇有深度的批评。


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散锋山水国画   作者:刘毅峰     

138cmX34.5cm

  刘毅峰先生为原广东书画艺术专业委员会常务副会长、原中国新闻出版社《广东书画》杂志副总编、原《中国书画家报》学术刊总编、原《中国艺术》杂志总编、原《中华名人》杂志艺术顾问、原《文化投资导刊》常务学术顾问、原“幸福广东”组委会文化艺术委员会副会长、原中国工艺美术家协会副主席、原中国书画家协会学术委员会副主任兼理论研究室主任,现为东方艺术研究院(洛阳)名誉院长、中南画院副院长、中南书画院副院长、一级美术师、工艺美术师、洛阳伊川邵雍易学研究院高级艺术顾问、广东省传统文化促进会顾问、《国艺》期刊杂志编委会主任、国艺春秋艺术馆常务学术顾问、广州乾德堂美术馆常务学术顾问。


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散锋山水画 作者:刘毅锋  69cmX138cm

  除了多年前国内不少报刊杂志画集等发表推介刘毅峰先生的书画作品和学术文章之外,近些年来约有二至三百家有影响力的网络传媒推介布衣学人刘毅峰先生的”书画艺术作品”及其学术文章,传播其“艺术”及其“美学文化思想”,尤其推介他所撰写的《“艺术”才是中国的品牌》和《“独立之精神,自由之思想”才是中国“文人画”最为可贵的艺术创作精神》这两篇具有代表性的学术艺文以及其所创作的“散锋山水国画作品”。(此简介原载于人民日报海外版、华人头条、今日头条、艺术头条、北京头条(都市头条)、艺术热点、翰墨名人堂、名家荟萃等网媒)。


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散锋山水国画   作刘毅峰     69cmX138cm

  Liu Yifeng, styled Hengyuan, also known as Buyi Scholar, Semi reclusive Scholar, and Hengyuan Mountain People, is a contemporary Chinese scholar, painter, and art critic. He was born in Guangzhou in 1963 and has been interested in art and history since his youth. He graduated from Shenzhen University with a major in Arts and Crafts in 1987. In addition to pursuing a career in arts and crafts design, he began to study calligraphy, painting, and art theory, as well as the "Collection of Classics and Histories". He gradually shifted his focus from early research and exploration focused on Western culture and art to academic research and exploration of Chinese culture and art, especially in the areas of "Wei Jin Metaphysics", "Song Ming Neo Confucianism, and Mind Learning", as well as traditional classic painting history theory, especially the culmination of traditional Chinese "literati painting" theory. Dong Qichang's "Northern and Southern School" painting theory and "Shi Tao painting theory", as the modern "literati painting" masters Wu Changshuo, Huang Binhong, Pan Tianshou, Fu Baoshi, and others, have unique painting theories. To conduct in-depth research and insights. Mr. Liu Yifeng has also received guidance from senior calligraphers and scholars such as Guan Shanyue (deceased), Li Xiongcai (deceased), Huang Duwei (deceased), Yan Jiyuan (deceased), Liu Jirong (deceased), Wang Guichen (deceased), etc. He has taken artistic creation practice and academic theory to a higher level, and constructed his own artistic theoretical framework with traditional Chinese aesthetic thought and the traditional academic spirit of "theory emerges from history". He closely combines "art" and "Dao", gradually forming his own artistic aesthetic theoretical system, and always adheres to the principle of "using the past for the present, using the foreign for the Chinese, and pushing the past to emerge." The guiding ideology of "innovation", "carrying forward the past and opening up the future", and "borrowing from the past to open up the present" runs through his academic theory, and many famous calligraphers and painters in modern and contemporary times have their art review articles written by him. His writings, with their profound and concise language, thoroughly explain the principles behind it with a broad understanding of the past and present. Some readers praise him as "delicate in the atmosphere of the article, and ancient style in the modern world..." He also seems to have "emotions in the pen" and often makes profound criticisms of the negative atmosphere in the current Chinese art and culture community.


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散锋山水国画   作刘毅峰     69cmX138cm

  Mr. Liu Yifeng is the former Executive Vice Chairman of the Guangdong Calligraphy and Painting Art Professional Committee, the former Deputy Editor in Chief of the Guangdong Calligraphy and Painting Magazine of China News Publishing House, the former Editor in Chief of the Academic Journal of the Chinese Calligraphers and Painters Newspaper, the former Editor in Chief of the Chinese Art Magazine, the former Art Advisor of the Chinese Celebrity Magazine, the former Executive Academic Advisor of the Cultural Investment Guide, the former Vice Chairman of the Cultural and Art Committee of the "Happy Guangdong" Organizing Committee, the former Vice Chairman of the Chinese Arts and Crafts Association, and the former Vice Chairman and Director of the Theoretical Research Office of the Academic Committee of the Chinese Calligraphers and Painters Association. Currently, he is the Honorary Dean of the Oriental Art Research Institute (Luoyang), Vice Dean of the Central South Painting Academy, Vice Dean of the Central South Painting Academy, First level Artist, and Crafts ArtistSenior Art Consultant at Shaoyong Yixue Research Institute in Yichuan, Luoyang, Consultant at Guangdong Association for the Promotion of Traditional Culture, National Art Director of the editorial board of the journal, Executive Academic Advisor of the National Art Spring and Autumn Art Museum, and Executive Academic Advisor of the Guangzhou Qiandetang Art Museum.


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散锋山水国画   作刘毅峰     69cmX138cm

  In addition to many domestic newspapers, magazines, and art collections that published and recommended Mr. Liu Yifeng's calligraphy and painting works and academic articles many years ago, in recent years, about two to three hundred influential online media outlets have promoted Mr. Liu Yifeng's "calligraphy and painting art works" and his academic articles, spreading his "art" and "aesthetic cultural ideas". In particular, they have recommended his two representative academic works, "Art is China's Brand" and "The Spirit of Independence and Freedom is the Most Valuable Art Creation Spirit of Chinese" literati painting ", as well as his" Sanfeng Landscape Chinese Painting Works ". (This introduction was originally published on online media such as People's Daily Overseas Edition, Chinese Headlines, Today's Headlines, Art Headlines, Beijing Headlines (Urban Headlines), Art Hotspots, Hanmo Hall of Fame, and Celebrity Gathering.).


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散锋山水国画   作刘毅峰     69cmX69cm


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散锋山水国画   作刘毅峰     69cmX97cm


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散锋山水国画   作刘毅峰     69cmX138cm


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散锋山水国画   作刘毅峰     69cmX138cm


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散锋山水国画   作刘毅峰     69cmX138cm


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行草书法     作刘毅峰  69cmX138cm


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行草书法     作者:刘毅峰    69cmX138cm


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